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"The
Winning Recipe"... how has the Four Seasons, one of the most
famous and influential restaurants in America’s culinary history,
remained a New York icon for almost fifty years? What keeps the
rich and famous and the not so well-known coming back for more? Jane Baxter Lynn sat down with co-managing partner and celebrity in his
own right, Julian Niccolini, to discover the secret.
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The
whole idea is remarkable – nearly half a century old, the Four Seasons
Restaurant (not to be confused with the hotel chain of that name), known
for its ambiance, food quality and the famous names and faces who dine
there, is still busy and very much part of the New York scene. It
is the epitome of everything New York. Anyone who has traveled in
high cuisine circles has heard of it. If you haven’t been, and
can afford...+- $150 per person for lunch, and even more
for dinner, you owe it to yourself to go.
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Make
a reservation first though, especially if you’re going for lunch as
there is a waiting list every day for the 33 tables in the Grill Room.
Ideally you should make a reservation at least two weeks in advance.
But,
I’m ahead of myself.
Before we talk to Julian, let’s look at why the Four Seasons is the quintessential New York City institution,
a regular haunt of the movers and shakers in the city’s business,
celebrity and political world for the past almost 50 years.
The
Four Seasons described by the Zagat Survey, the US’s authoritative guide to
restaurants, as an “architectural and gastronomical wonder that never
goes out of style".
Housed
in the landmark Seagram Building between Park Avenue and Lexington in
the primarily business area of Manhattan, the Four Seasons made
headlines when it opened on 20th July, 1959, having cost nearly $5
million to construct – an exorbitant amount of money at the time.
The
elegant interior was designed by legendary and often controversial
architect Philip Johnson, famous for his Glass House in New Canaan,
Connecticut, one of the world’s most celebrated works of Modernism.
 
(Left)
Lenore Hershey, former editor in chief Ladies' Home Journal, Jacqueline
Kennedy Onassis and Lee Radziwill, toasting their book called 'One
Special Summer' about a trip the sisters took to Europe on their own,
back in 1951. Taken at a great literary party in the fall of 1974.
(Right)
Nelson and Happy Rockefeller, 1968
There
are five dining rooms, the main ones being the Grill Room and the Pool
Room. The world’s largest Picasso adorns the hallway between the
two rooms, part of an eclectic collection of modern art masterpieces
decorating the restaurant. Artists include Jackson Pollock, Roy
Lichtenstein, Frank Stella, and Robert Rauchenberg.
The
Grill Room at lunchtime is the place to congregate, to meet, discuss
deals, and see and be seen. If you can get a table, that is!
If you can’t, there is always the option of the bar, where great
drinks and casual food is available. Mind you hamburgers do come
priced at $30 a piece. It has been attributed to be the place
where the term ‘power-lunch’ was created in the early 1970s,
inspired by the elite lunchtime crowd that consistently gathered at the
restaurant.
The
Pool Room with its classic white marble, undulating metal curtains and
bubbling pool surrounded by seasonal trees is more popular in the
evening or for more intimate dining.
The
spaciousness provided by the 20’ ceilings and large open dining spaces
was and still is a luxury in New York City. In most expensive
restaurants it’s often impossible to hold a private conversation
because the tables are packed in side by side. At the Four
Seasons, the comfort and privacy, along with the opportunity to rub
shoulders with each other, has appealed to wealthy New Yorkers for
decades.
The
restaurant was never meant to be trendy but rather a classic, designed
to stand the test of time. That it has done. However, it has
also been a trend setter.
From the get go, the focus has been on
stellar service, fresh and simple Modern American cuisine, and
exceptional quality wines, hard to find anywhere else.
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Once
operated by an American restaurant chain, two of its long-time employees
hold the reins today. Swiss-born Alex Von Bidder started out as a
beverage manager and now (actually for the past 25 years or so) manages
the business aspect, while Italian-born Julian Niccolini, drives the
day-to-day operations, marketing and customer-relations. Their
long time commitment to the restaurant has ensured consistency and
continuity, one of the key elements of its success.
Alex
is the quieter personality, ever present with his courteous air and dry
sense of humor. In true Italian style, Julian is passionate about
what he does. He loves wine, believes in good taste, understands
how to serve, and is committed to the long and lasting lifestyle impact
of his New York establishment. I overheard someone say: “His
[Julian’s] biggest attraction is that he knows everyone and makes
everyone feel welcome.” He also believes in having fun.
A
regular customer of the Four Seasons, Steven Florio, president & CEO
of Conde Nast, once told CNN: “Julian is the ultimate bad boy. When I
was running "GQ" magazine and we were competing very heavily
with the folks at Fairchild Publishing, Julian would always put my table
next to John Fairchild, when he was dining here -- always. And, of
course, I didn't talk to him and he didn't talk to me, but Niccolini had
a good time. He loved it.”
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Since
its inception, the Four Seasons has attracted mayors, governors (New
York Governor George Pataki had his birthday party there recently),
presidents (John F. Kennedy celebrated his 45th birthday, George W. Bush
Sr. and Bill Clinton); millionaires, A-list celebrities and other movers
and shakers, with the emphasis more on business and government.
Today, the
millionaires are billionaires!
Although
Julian said that mix has changed in recent years. The crowd is more fashion (designer
Oscar de la Renta; supermodel Heidi Klum; singer and designer Gwen
Stefani), music (U2, Bono) and money (Steven Schwartzman and Peter
Peterson, founders of the widely successful Blackstone Group; Leon D.
Black, founder of Apollo Advisers). While I was there Peter
Peterson was celebrating his birthday with a large group of his closest
friends!
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For
the luminaries and the celebrities of the day the Four Seasons was
the exemplory New York restaurant, one that drew them back time
and time again.
Much
of the restaurant’s success is about relationships with their clients,
many of whom come on a daily basis, or at least once or twice a week.
According
to Julian, there is a little bit of clubiness, with guests trying to
keep up with each other and see and be seen. “Our regulars
regard the Four Seasons as their ‘club’, where they can discuss
business, make deals, arrange family events – we get a huge number of
weddings, bar mitzvahs, celebration parties - or merely enjoy a healthy
meal, without the angst of having to go to a different restaurant every
day.”
The
staff is trained to remember who they are, their likes and dislikes, and
some never even see the check – it’s sent to their accounts people
for payment. One rule though is that, with very few exceptions,
they can’t have the same table every day – Julian believes that it
makes operations more difficult and also invites ‘ownership’ of the
restaurant, which could encourage elitism and unhealthy competition
between his regulars.
An
exception was the restaurant’s architect Philip Johnson who, according
to the New York Times Christopher Mason, loved attention and cultivated
his celebrity by holding court daily in Manhattan at a reserved table at
the Four Seasons.
One
of the criticisms of the restaurant has been that you have to be ‘in
with the in-crowd’ in order to be treated well. Julian assured
me that every customer gets served in the same way. The only
difference is that first timers aren’t known and so can’t be
acknowledged in the same way as someone who dines there regularly.
“We still need to get to know our newcomers likes and dislikes.”
“As
a restaurateur, one has to understand that you cannot consider yourself
a guest, you are here to serve your guests, and you need to do whatever
it takes to make them comfortable.”
Watching
Julian, Alex and the Maitre d’
of 20 years, Lorenz Pretterhofer, work the room from my strategically positioned banquette, I got my
first clue as to why people come back for more.

For
each new season there is a new menu, new plantings and new hues to
match the changing leaves. The Vitality of the Four Season's lies in
its restless creatvity, its revernece for perfection in each nuance.
May we always change!
The
welcome is exceptional. Anyone who has been there more than once
or twice, they know their name. The emphasis is on the subtle –
a hand movement, a lifted head or a nod. A gentleman sat down at
the table next to me and immediately a waiter greeted him by name and
assured him his ice tea was on its way.
Across
from me was 29-year regular John Holmes, who knew Julian when he was a
waiter assigned to Table 13. The first person with whom he ate
there was Peter Monk, now managing director at Goldman Sachs.
Today he was having lunch with American Venture Capitalist Steve Rattner.
Would love to have shared with you the deal they were discussing but I
couldn’t hear what they were saying!
One
of the challenges facing the Four Seasons has been the trend toward
casual dress and lifestyle. Twenty years ago people were more
inclined to dress up to go to a ‘smart’ restaurant. More
recently, that has changed and people at all levels have become more
informal, no longer dressing up for traditionally formal occasions like
a night at the opera or when dining out in an exclusive restaurant.
While
some compromise has been necessary at the Four Seasons, such as ties are
now “preferred” rather than required, a jacket is still a necessity.
But don’t worry you don’t need to carry one with you, as there is a
full assortment of freshly laundered designer jackets to choose from
when you arrive.
So
I asked Julian how it has been possible to continue to pull it off when
other luxury restaurants have not? He believes that there are
still many people who want the comfort, privacy and dignified experience
that the Four Seasons offers.

"The
authors (I bring here) always eat alot, because they're afraid they'll
never get another meal, and they want to get something back from the
publisher," said Simon & Schuster editor in chief at the tIme,
Michael Korda.
Most
importantly the Four Seasons is about fine food and fine wine. Regulars
come because of the kind of food served, the menu is big enough to offer
enough choice and there is always a Chef’s special in each category
every day. There is something for everybody taste-wise, from
simple like fresh oysters to more unusual dishes of bison from Colorado.
Frank
Bruni, a New York Times restaurant critic recently described the Fillet
of Bison as “so tender, cloaked in the epicurean equivalent of a mink:
the sautéed foie gras and a reduction rich with black truffles.”
He also hailed the roasted duck “as astonishing as ever” …
“after it emerges from a Peking-style sequence of many days and steps,
a knockout of crunchy skin and succulent meat that plunges me into a
gastronomic fugue state.”
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Since
the beginning, the menu has been created around the four seasons, hence
the restaurant’s name. Four times a year, the menu changes to
take advantage of the fresh produce that is in-season.
When
Julian and Alex took over the helm, they were way ahead of the latest
trend toward healthy and fresh, with a real emphasis on healthy dishes
(a phenomenon common amongst executive chefs today). Not much
butter, cream or complicated recipes.
“Rest
assured. You won’t gain weight if you eat regularly at the Four
Seasons. You will eat healthy, fresh and what you like,” Julian
joked.
According
to Alex: “Four Seasons reminds people what a real tomato tastes like.
We go with the seasons and present foods when they are at their best.”
Swiss
born executive chef Christian Albin has been working at the restaurant
for 34 years, holding the top job in the kitchen for almost 20.
Julian
believes that it is important for the kitchen not to repeat themselves.
“We are continually reinventing ourselves through our menu, focusing
on freshness. The wild striped bass is not farm raised, the steaks
have no hormones and we’re careful where the poultry comes from.
We don’t cut corners, which is a challenge from a price perspective
and one of the reasons we have to keep our prices so high.”
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The
Four Seasons spends over a million dollars a year on food.
Purchasing manager Joel Patraker works with Chef Albin and Julian to
ensure only the best is bought for the restaurant. “With our
reputation we are in a position to get the very best. A smaller,
lesser known restaurant will be able to get white truffles but we are
able to get top quality. It’s all about relationships, with the
farmers and fishermen, with the wine producers or wine importers.”
Farmers
and fishermen chosen to provide their fare to the Four Seasons are often
invited to the restaurant to experience what happens to their products.
Four times a week, Joel and the others head down to Greenmarket to
source the best ingredients. “What I do is a lot like what a wine
taster does. I may taste six different ears of corn from six different
stands, and I must be able to identify which is best,” he said.
The
array of fresh greens are from Satur Farms on Long Island,owned by chef
Eberhard Muller, formerly chef/owner of the famous New York restaurant
Lutece, and his wife Paulette Satur, who are dedicated to growing
the finest vegetables and culinary ingredients. They originally
started their farm to supply Eberhard’s restaurant but friends like
Julian who also ran restaurants began asking him to provide them with
fresh produce too.
All
staff receives on the job training and twice a month they attend a wine
and food discussion on a Thursday at 3:00 p.m. to ensure they understand
the creations Chef Albin and his team will be presenting.
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So
how does the Four Seasons continue to shine?
It
seems that the philosophy is that all the parts are crucial for the top
quality experience a restaurant like the Four Seasons must present.
To
ensure that the Four Seasons stays ahead of the crowd, Julian goes out
on the town every day to network and see what people are doing; what
food is being served, and why Four Seasons’ clients are going to a
particular restaurant. He told me that it has been necessary to
make some major changes in the past five to ten years, without
compromising the essence of what the Four Seasons is. For example,
a bar menu was added for individuals wanting to dine alone but be around
company.
The
extensive wine list, for which the Four Seasons has won awards, has
undergone change too. The list, which in itself is a work of art,
allows guests to choose their wine as they page through a photographic
history of the restaurant.
The
range of wines was increased to provide both the Best of the Best and
others that might not be as well known but which pair well with the
food. A New Zealand Sauvignon Blanc that I enjoyed with my
mouthwateringly fresh Kumamoto Oysters.
Julian
pointed out today’s New York clientele is very unwilling for a
sommelier to decide what wine he or she should drink. They are far
more educated than they were and want to be much more involved in the
decision. “We’re seeing less and less of showing off by guests
ordering the most expensive wine on the menu. We do still have the
Chateau Petrus Pomerol 1996 at $2,100, but we also have $95 Chateau
Sinard, St. Emilion 1995 at the other end of the scale. Ten years
ago mid-priced ($150-200) Châteauneuf-du-Pape hardly sold. Now we
basically keep it in stock.”

Many
celebrities happily signed the Four Seasons' guest book, including
couturier Yves Saint Laurent, who added one of his current
designs.
They
are also serving Pinot Noir from Oregon, New Zealand Sauvignon Blanc and
Cabernet Sauvignon from California, which they would never have
considered ten or twenty years ago. As a leading restaurant, the
team is always prepared to pioneer change and the Four Seasons was the
first restaurant on the east coast to promote California wine – a
great leap of faith for a high-end restaurant whose clientele still
generally believes that French and Italian wines are the only wines
worth drinking.
When
I was executive director of the Long Island Wine Council, Julian and
Alex agreed to present not one but two Long Island winemakers dinners,
which were served to sold out crowds. Long Island wine, from a
small wine region in New York State, garnered serious media publicity
from the events and were proclaimed as the wine region’s coming out
parties.
One
of the challenges the restaurant now faces is being able to get any wine
it wants. Previously, distributors didn’t need to ‘sell’
wine to us, as we could obtain the wine directly from the source.
Nowadays, high-end restaurants like ours are fighting with the customer
for the limited or older vintages. The liquor store around the
corner has wealthy clients who are now asking for that same wine.

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What
I had:
A
Selection of Kumamoto Oysters $25 paired with a 2006 Marlborough
Sauvignon Blanc with exceptional fruit flavor made by well-known New
Zealand winemaker Tim Crawford;
Four
Seasons Salmon Gravelox, Osetra Caviar $32
Duck
Ravioli, Cardamom Cream, Wild Mushrooms $22 paired with a 2005 Anne Amie
Pinot Noir from Willamette Valley in Oregon;
Organic
Beet Salad, Blue Cheese, Hazelnuts, Champagne Dressing $25
Chocolate
Velvet – while I’m not a dessert eater this signature dish from
Pastry Chef Patrick Lemble melted in my mouth and would be any
chocoholic’s dream.
Other
signature dishes:
Bison
(a meat that is becoming increasingly popular in this country) either as
an Appetizer - Bison Carpaccio, Heirloom Potatoes, Summer Black Truffles
$32 or as a Main Course - Fillet of Bison, Foie Gras, Perigord Truffle
Sauce $55; Appetizers Peking Duck Salad, Carica Papaya, Black Curry $24
and Hudson Valley Foie Gras, Roasted Peaches, Indian Mango $38 and Main
Courses Maryland Crabmeat Cakes, Mustard Sauce $48 or something unusual
like Loin of Rabbit, Spinach Polenta, Spicy Rabbit Sausage $38.
When
asked in a recent CNN television interview, how long he and Alex will
continue to run the Four Seasons, Julian said: “Well, I think that
we're going to be here for as long as we have the energy to be
ourselves. Because to be in this kind of business, you have to
have a certain quality, the quality of being happy, the quality to
entertain, the quality to have a great time all the time and the quality
never to have a bad day.”
The
Four Seasons Restaurant
Seagram
Building
99 E. 52nd St. New York, NY 10022
+1-212-754-9494
www.fourseasonsrestaurant.com
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©
Jane Baxter Lynn 2007
JBL Public Relations Strategies
Objective Analysis - Informed Opinion - Effective Solutions
www.jblprstrategies.com
JBL Public Relations Strategies is an international public relations,
communications and marketing consulting business, specializing in the
Arts, Travel & Tourism, and Wine industries. The firm provides a
senior level consulting resource, focusing on branding, strategic
planning, and marketing communications, with particular emphasis on
business development. Its mission is to help clients expand
awareness, manage reputations, increase revenues and reduce costs through
effective strategies. The company also serves as an on-site 'bridge'
during management or company structure changes, or at times of
extraordinary workload for communications executives.
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