VIENNA

Part One

Gustav Klimt Water Serpents 1 (detail) 1904-1907 Watercolours and gold paint on parchment, 50 x 20 cm Vienna, Osterreiche Galerie

Leslie Back guides Showcook through this fabulous city of music where even the horses dance. "Vienna for three whole days, so much to do in so short a time. Where to begin?"

Vienna is famous for its golden epoch. It was an age of exuberance. Great baroque palaces, churches and monuments dominated Vienna’s architecture and still do. The Baroque turned into a way of life because it appealed to the Viennese’s love of beauty and sensuality, to their infatuation with music, drama, festivity and feasting.  Early in the 19th century, the Baroque gave way to the Biedermeyer, a period of more relaxed living and cosy domesticity.

We were first aware of gentle background music on our arrival at Schwechat, Vienna International airport. Once in the taxi, we heard the delicate strains of Mozart. No pumping rock band, here instead, glorious music. The taxi driver, whose knowledge of music was considerable, was only too delighted to share that knowledge with us. We floated, relaxed and untrammelled to The Bristol, one of the great hotels of Vienna, situated next to the Vienna State Opera house within the elegant Inner City.  This is where Society met around 1880 between the Schwarzenbergplatz and the Opera House for gentle walks or at the Korso, which was the popular Open-air Reception Area of the Circular Road, the Ringstrasse.

At the Bristol, where fin-de-siecle antiques blended harmoniously with modern technology, we were greeted by soft music, Mahler perhaps? 

At the turn of the century a trader, Auguste Sirk, rented a shop at the corner of Kartner Strasse and Karntnerring. He sold elegant travel accessories and soon the practical Viennese named the corner Sirk Corner.  It became a popular rendezvous. It has an entrance from within the hotel that saves you from the rigors of the very cold night. 

Directly off the street, the Café Sirk, serves delicious Viennese cakes and coffee, late breakfasts and light meals from 10am to midnight.  There is a staircase that leads to the Mezzanine level and the Restaurant Sirk.

The Viennese are renowned for their superb soups. Full bodied Beef consommé with semolina dumplings light as a feather or a consommé with sliced pancakes. Enjoy a roast breast of chicken in a lemon sauce on a polenta base or you could choose from a luscious buffet.

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Delicate Petit Fours were served with the coffee, including one, which was a miniature Imperial Torte. There is a story that a young apprentice chef created the Imperial Cake for Emperor Franz Josef.  Of course the recipe is secret, but you can taste milk chocolate blending sweetly with a stronger almond flavour, then the exquisite taste of marzipan, which ultimately gives way to a slight hint of cocoa on the palate.  A symphony of tastes as sweet as the music that rose and fell in the background.

The restaurant has a wonderful view of the Vienna State Opera. We were enchanted by the elegance of the opera goers who wandered in for a late supper where they were warmly welcomed with the familiarity of frequency. 

After exploring the immediate environs of our hotel and on the recommendation of the concierge we lunched at a buzzing typical Viennese restaurant. The Konigsbacher, Walfichgasse 5, 1010 Wien.  Telephone 5131210

The restaurant has four smallish inter-leading rooms where you share tables and the bustling patron seemed to squeeze everybody in. Try spinach on rosti topped with a poached egg, divine. Deer sausage, red cabbage and potatoes were ideal for the cold weather with a pils beer. The restaurant sports a wonderful trompe d’oeil painting of a cat sipping beer from a full beer mug. We took a photograph that when developed, appeared as a window with the cat in the forefront. Again, above the bustle and noise, we heard lilting music and it made one smile.

In Vienna the coffee culture is strong and there are many historical coffee houses that compete for custom. Demels is one of the oldest and most famous for its confectionary. The atmosphere is busy and warm, but completely orderly. Everything at Demels is made in house, even their own chocolate. Each of the pastry cooks is a specialist. Its story begins in 1786 when Ludwig Dehme opened his Court Theatre Confectionery on St. Michaels Square. Within a short time, Dehmes was considered chic by the Viennese society and their delicacies delivered to Emperor Franz Josef 1st at the Hofburg Palace. 

 

 

 

 

 

The famous confectionery acquired the name Demels when the eldest son of the founder passed on the ownership to his apprentice, Christoph Demel.  It remained in the Demel family and in honour of their father, they renamed it ‘Imperial and Royal Court Confectionery CH DEMEL’S SONS’. A son, Carl, took over the confectionery in 1911 and continued to run it together with his sister-in-law Anna Demel.

At Kohlmarkt 14, the exquisite products are still made by hand and until today the Demel waitresses have been using the polite form of address when asking the wishes of their guests; ‘Haben schon gewahlt’, which means  ‘Did you choose?’

Among all Demel’s famous pastries is their ‘other-worldly’ custard slice, heavenly smooth custard encased in a light, melt-in-the mouth pastry. Order a filtered coffee served with milk or lashings of whipped cream.  What a treat!

A visit to the Grand Hotel Imperial, sister hotel of the Bristol is a must, encapsulating the atmosphere of this enchanting city. It was rapidly approaching dusk as we entered and greeted by the joyous strains of Strauss. 

 

Magnificent chandeliers sparkled and shimmered from huge stucco ceilings providing brilliant light, causing us to forget the encroaching darkness outside. 

The foyer of the Imperial is very grand and very large with Winterhalter’s famous portrait of Empress Elizabeth of Austria, in cream and gold. The exquisitely  beautiful, graceful and complex Empress was affectionately known as 'Sisi'. 

These sumptuous surroundings were originally created in 1863 as the Vienna residence of Prince Wurttenberg. The stately palace was transformed into the Hotel Imperial for the World Fair in 1873. 

Dine at the famous Korso Restaurant, The KORSO bei der OPER, on the ground floor of the Bristol. This fin de siecle restaurant is internationally ranked.

The restaurant has a reputation for combining the Viennese flair and tradition with carefully selected food and exceptional service in a unique setting.  The dress code was jackets, but not necessarily ties, and yet one felt happy to dress up to honour this elegant establishment.

The Bristol Bar is en route to the Restaurant. It is ideal for a pre-prandial cocktail or perhaps a nightcap.

The Maitre d’, dressed majestically in tails, greeted us and showed us to our table.  Music. Gently in the background, a pianist played heavenly music.  We were transported to an era of long ago.

The Chef de Cuisine is Richard Greer.  He has earned a Michelin star and 3 Toques in Gault Millau and was named Chef of the year in 1993.

First an amuse gueule was served with beautifully baked bread.  The amuse was bone marrow, wrapped in phyllo pastry.

The beef consommé was heavenly.  Reduced, yet allowing the taste of beef to protrude, beautifully subtle, not too heavy and overpowering.  The dumplings were delicate, and all we had ever dreamed they could be.  

The rack of lamb was pink and crisp, with not an ounce of gratuitous fat.  Succulent vegetables were served separately.

Dessert, sweet berries with summer fruits. (Summer fruits in the heart of winter?  It remains a mystery). Two scoops sorbet, mango and lemon added a refreshing note.

The service in Vienna is super-efficient, unobtrusive and never at any time did we feel hurried or harried.

The pianist played on, and quite spontaneously some dinner guests got up and danced in the small space around the piano.  What a good idea, swept away by the music of Vienna.

On leaving the restaurant, the Bristol Bar beckoned.  One of the traditional meeting places for fashionable society where you can enjoy a nightcap immersed in the ambience.

Vienna is the home of the Spanish Riding School. The horses only perform on a Sunday in winter but practice every morning.  The public is permitted, at a price, to watch the practice sessions.

What a joy to watch these magnificent stallions put through their paces.  The Lipizzaner is the oldest breed of horse that is bred in Europe. The origins of the Spanish Riding School are obscure, but it is believed to have been founded in 1572. By breeding and training horses from Spain, the Hapsburgs formed the School to cultivate the classic skills of horsemanship.  The horses are born black or brown and become their wonderful colour of white or off-white, as they grow older.

They perform ballet-like steps, with wonderful names such as pirouette, levade, courbette, capriole and many others. They lift their strong legs almost daintily in time to the music in the background.  The instructions from the riders are invisible, and horse and rider are at one with each other. The horses appear consumed by the music as they move in mysterious time to the beat, and dance with joy tossing their heads and marvellous manes. An equine ballet that is amazing to behold.

Part Two includes the magnificent Schönbrunn Castle, Opera House, Belvedere Palace, the world famous Sacher Hotel and a host of restaurants and much, much more.  See Leslie Back's practical travel tips and recipes from this divine city.

Top:  Gustav Klimt Water Serpents 1 (detail) 1904-1907 Watercolours and gold paint on parchment, 50 x 20 cm Vienna, Osterreiche Galerie 

© Leslie Back

 

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Last modified: June 06, 2008